PAPER. One of the most important elements in achieving good results is PAPER, the medium upon which the printer works its magic."Paper" is used generically as the title of this section as clearly there are many types of materials than can be used (eg film, transfers etc).

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CONTENTS
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  • Magnet Paper
  • New Kodak Paper
  • Volker's Konica QP Review
  • Fade Test
  • Jack Fouquette's Paper Review
  • Paper Reviews
  • Sal Danna of Konica with an article on Konica QP Glossy paper! 
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    Viewpoints on Longevity.24  March  1999
    Here are some of Royce Bair's views and comments on longevity reproduced here with his kind permission. He comments specifically on 770 HGC Weber Valentine paper as well as Liege paper and Equipoise inks. A short article but insightful nonetheless.

    Viewpoints on Longevity

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    Fade testing of the New Epson Photo Paper.20 January 1999
    Here's great news for those looking for longer lasting prints (who isn't)! The New Photo Paper (reviewed here by Volker) with improved light fastness has been tested by Royce Bair of Stock Solution.Here's a snippet from Royce's test results:-
    "Our Conclusions: The new "Improved" and "longer Lasting" Epson Photo Paper appeared to significantly reduce the magenta dye fading. Magenta dye fading for the 6-color inks was reduced to almost 1/3 the fade level of its predecessor, and overall (for all three color inks) fading was reduce to almost 1/2. When using the 4-color inks, the improvement was less dramatic (probably because of a lack of the less stable light magenta dye). But even here the magenta fading was reduced by more than 1/2; and overall, fading was reduced by about 1/3. We did not conclude in this accelerated experiment whether there remained a "yellowing" problem (the coated white base turning yellow after prolong exposure to the air) in the "improved" version."

    Proceed to the Longevity Test!

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    The New Epson Photo Paper.7 January 1999
    Check out Volker Jaeger's first impression of the New Epson Photo Paper which has been improved in terms of light fastness. Volker takes a look at the print quality produced by his Photo EX when the New Epson Photo Paper is used, including finding out whether the dreaded pizza wheel tracks are still present. READ IT HERE!

     

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    Mitsubishi Magnet Paper.A Quick Look
      28 Septeber 1998. Finally managed to check out Mitsubishi's Magnet Paper (part no. MG1-A4005) which is only available in A4 size.  It is coated paper not unlike the Epson PhotoQuality Inkjet Card with an "extra thin Magnet Sheet" on the flip side. Costs S$11.90 for a pack of 5 sheets. It is rather thick (no details on the package) but I would estimate that it is around 1.5 times the thickness of the Epson Photo Paper 

      Here are my findings:- 
      The Tests.I printed the same image on (a) Epson's PhotoQuality inkjet card (b) Magnet Paper with Photo Quality Inkjet Paper setting ("PQIP") and (c) Magnet Paper with Photo Paper setting.
      The Results.As you would expect,the Epson Photo Quality Inkjet card gave the best results. Magnet Paper with Photo Quality inkjet paper ("PQIP") setting gave darkish printouts so I changed to Photo Paper and the colours turned out better. 
      The Good.Both printouts I made with the Magnet Paper looked good enough (ie photo-realistic to a point) and could pass for Epson's PQIP/card at first look. As for its magnetic properties, well, it sticks to the fridge very well! In fact, I have stuck a couple of printouts on my tower casing. Very nice indeed!
      The Bad. Banding appears to be the main problem (probably due to its thickness) and was noticed in both printouts I made on the Magnet Paper (one with PQIP setting and the other with Photo paper setting ). The banding ranges from rather bad to noticeable. Colour was not as accurate (slight colour cast) and detail is not a high as compared to Epson's  Photo Quality Inket Card. But who's complaining since it is not meant as a replacement for the Photo Paper.Fading appears to be a serious problem with this media...barely 3 months after displaying it on my fridge, fading is evident.

      Conclusions.Get it! Notwithstanding the bad points (since it is not intended to replace your staple photo quality paper anyway), it offers yet another interesting way to use your printer that makes owning an epson inket printer so much fun. Some suggested uses:- 
      • memo holder
      • name Plate for white board
      • Fridge ornament

      The Magnet paper is made up of 3 layers.
      The topmost one is probably the same as Mitsubishi's coated inkjet paper.

     
     
     
     
     

     

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    Konica QP vs Epson Photo Paper. Compare
      21 September 1998.Have a look at Volker's review of the Konica QP which he pitted against the Epson Photo Paper.

    Konica QP 
    vs 
    Epson Photo Paper

     

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    Jack Fouquette's Paper Report.The Review
    6 September 1998.Read Jack's excellent review of the various types of glossy paper available in the market for photo-realistic printing. Jack has no affiliation with any of the commercial paper manufacturers, and has carried out his tests more as a hobby project, and posted the results as a service to the community of Epson printer users. Great work Jack! Please keep us posted on any updates and new paper types.

    Jack's Paper Report

     
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    Kodak Papers.New paper types
      13 September 1998.I have only had limited success with Kodak paper, as the Epson  ink does not dry well when used with the Kodak paper and gives the dreaded "crocodile-skin" effect. For what it's worth to Epsonites, found out recently that Kodak has released (don't know when) several new paper types (amongst others) which you may be interested in knowing in addition to their photo paper:-
       


      Visit Kodak's Inkjet Media page.

      Those of you in Singapore will be able to get it from shops in Sim Lim Square. The Photo Stickers also come with software bundled with the pack. Cost:-S$30 per pack.


     

     


     
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    Paper Reviews.Paper available in S'pore
    Here are some preliminary reviews of mine on the various types of paper available on the market today as tested in relation to the Epson PhotoEX/700:-
    1Mitsubishi Glossy Paper
      Intro
      Priced at S$11.90 per pack of 10, this paper is a viable alternative to the Epson Photo Paper. Available at Funan Centre (South Asia). The best thing about it is it's glossiness.
       
      Mitsubishi Glossy Paper
      Model Number MP5GA4010
      Web-contactn/a
      PriceS$11.90 (20pc)
      WhereSouth Asia
      Pros
    • Extremely glossy, even more so than the Epson Photo Paper
    • it is water resistant!! No smudging at all, even when I put several 6-8) LARGE drops of water onto the print.
      Cons
    • Pictures may 'bleed'. I have experienced severe bleeding on SOME printouts, (around 5%) done with Mitsubishi paper. Don't know what is the cause
    • Colour reproduction seems a tad-bit off as compared to the Epson Photo Paper
      Driver Settings
    • I have found that the Mitsubishi photo paper works best at Glossy Film setting with supermicroweave on and colour adjustment set to automatic. Colours are very realistic when Glossy Film is choosen with the mitsubishi paper.
    • I used the following paper type settings with the Mitsubishi paper and found the following results:-

    • 1. photo paper - yellow/green cast;
      2. photo quality inkjet paper - too much ink, the printout looked wetfor a few minutes, colour appeared too dark and colours were off (yellow cast).
    • So far, colour adjustment set to "automatic " gives best results. Using the no-colour adjustment setting tended to give darker printouts.
     

     
     
       
     
    2Canon HG 201 Glossy Film
      Intro This is trully the "rolls-royce" of glossy film...priced at S$29 per pack of 10, this paper is (in my opinion) a better option to the Epson Glossy Film. Available at Funan Centre (South Asia).
      Pros 
    • extremely-extremely glossy, even more so than the Mitsubishi. You can say it is the glossiest of them all.
    • it is water resistant
      Cons
    • Price perhaps? 
    • Also, it does not come in any size other than A4
      Driver Settings
    • Best results with Glossy Film setting and "Automatic  colour.adjustment".
     [ email me if you have reviews you want to contribute] 
    3Konica QP Glossy Paper
      I have heard so much about the Konica QP glossy paper but it's not available in Singapore. It would be great to hear from anybody with first-hand experience of this paper. 
      Shortly after posting the above comment, I received an email from Konica's Sal Danna in response to an earlier request of mine on Konica Paper:- 
        "kokleong,
        I took a look at your site and think it is a wonderful idea.  I am enclosing a technical write up but easy to understand on "Konica QP" Ink Jet Paper. It explains the difference in swelling type of coating vs. micro pores. Konica QP uses micro pres as you will read in the attachment.  As the National Sales Manager for Konica my endorsement of the product would be biased.  Your best responses would come from the Epson news users group. For instance, I know Jack Foquette did a review on all papers.  Many more have written positive coments describing their love for the product.  Just put out a message asking for comments on the Konica QP.  I know that at most of the shows I attend with Photoshop trainers they rave about the combination of Konica & Epson.  Photographers and artists that use our paper are hooked because of the quality, instant drying, weight, water resistence, and feel of the paper. 
        Regards
        Sal Danna" 
    .....................................Here's Sal's Article......

    "QP” Ink Jet Paper vs. The World

    By Sal Danna
      Most glossy photo grade ink jet papers use a swelling type of coating.  A swelling type of ink jet coating uses a gelatin layer, which swells and stops ink from bleeding.  This paper is popular with manufacturers because it is easier to produce.  Color unevenness may occur, however, depending on the gelatin swelling speed, ink may be sticky due to organic substances like glycerin, contained in the water content of the ink.  This problem causes a user to lay printed output on cabinet, table and desk tops allowing them to dry.  It also eliminates the possibility of printing multiples for fear of successive prints sticking together in the printer exit tray.  To solve this problem Konica added an adequate paper structure and binder to absorb ink instantly and fix it. 

      Konica solved this problem by introducing a new coating technology to form micro-pore coating.  In our new “QP” coating, a small amount of binder, not gelatin, is used to achieve a higher porosity formation rate.  A single pore measures only .06 micron, or 1/10th of a silver-halide grain.  We have succeeded  in providing ink jet paper with a higher absorption rate without sacrificing the glossiness.

      This porosity structure improves the speed of ink absorption and granulation without causing dot blurring or unevenness.  For the swelling type paper, a slower ink absorption speed can cause the subsequent ink to stick to the previous ink before it is absorbed, resulting in unevenness or blurring.

      Another new Konica technology ensures improved dyeing performance by using water and light resistant dye mordant. Actually, the cationic polymer mordant used in this technology features higher water resistance and instant drying time.  The conventional dye mordant is less resistant to light, but the new dye mordant has overcome that problem.

      Furthermore, highly water-resistant coating technology is adopted.  This technology forms a highly resistant coating against water and combines a non-swelling binder and most effective coat-hardening agent for ink.  Therefore, ink does not bleed when paper is moistened.  Most of the conventional methods inevitably allow inks to bleed due to the gelatin coating combined with the hardening agent.
      The technology obtained in developing photographic sensitive materials is also applied.  First, a water-resistant resin coated (RC) base material which features extreme smoothness and does not crumple when moistened is used.  Therefore, the paper is durable against discoloration.  Next, a fluorescent-brightening agent which creates favorable whiteness in addition to base whiteness, is used to adjust paper color.  This fluorescent brightening agent is also resistant to light and features a special improved property against discoloration.  Simultaneous multi-coating technology used for producing photographic paper improves productivity and reduces production cost for “QP”
      Supported by these new technologies Konica succeeded in producing ink jet paper which dries instantly less ink blurring when moistened less image deterioration and less invisibility due to ink blurring. 
       
           
          Main Features Of Konica “QP” 
          1. 8.5” x 11” and 11” x 17”
          2. Dries Instantly 
          3. Highly Water Resistant
          4. Smooth and Uniform Color Gradation
          5. Smooth and Accurate Color Reproduction
          6. Superior Glossiness
          7. Superior Whiteness
          8. Superior Feel Compares To Photographic Paper
          9. Heavy Weight Thickness Eliminates Curl and Waves When Mounting
          10. Economical Cost 
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    Thanks Sal for your article! I have just received the Konica QP paper courtesy of Sal and will be testing it soon. Anyone with personal experience in using Konica QP Paper or views to contribute, please email me.
     


     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     



    Visit Konica.com

     
     
     
     
     
     
     


    Konica's InkjetPaper page

     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     


    Where to get Konica QP

    Try this link to IslandArtCards 
    for a list of on-line dealers of consumables. One of them should have this paper.

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    4Fullmark Inkjet Glossy Paper
      Summary This is affordable photo paper from Fullmark. Available at South Asia. Whilst its surface is not as glossy as other third-party brands out there, it is cheaper than most and is of decent quality. I did not find it particularly inspiring in terms of colour reproduction and vibrancy. Given a choice, I would go with Epson's Photo Paper or the Mitsubishi. 
    Fullmark Inkjet Glossy Paper
    Model Number PPIJGLO
    Web-contactFullmark
    Price S$32.00 (50pc)
    Driver Settings Glossy Film
     
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    5Fullmark Inkjet Photo Paper
      Summary This paper is more expensive than its other counterpart paper produced by Fullmark (see above) but it cannot be used with the EX. Ink does not dry until very long after the printout and even then, you can easily leave finger-print marks on the printouts.The printout also has a 'tacky' feel right after printing which persists for quite a long while. Heck, the paper feels tacky even before you print. Take care that you do not confuse this paper with the one mentioned above.
    Fullmark Inkjet Photo Paper
    Model Number PPIJPHO
    Web-contactFullmark
    Price S$16.50 (20pc)
    Driver Settings Glossy Film
     

     
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    Henry Wilhelm's light stability test.Archival Testing
    My thanks to Gary Molitor with a tip on the Henry Wilhelm report on inkjet light stability test.Those of you interested in information on inkjet light stability test done by Henry Wilhelm (circa May 1995), considered by some in the industry to be an expert on this subject, visit: The Wilhelm report is a 1995 report which is very extensive and covers a very wide range of digital output including the Epson Stylus Color Ink Jet Printer (with 1995 ink set). Here's an extract of the Wilhelm report:-
       
        "Included in this light-fading stability study are digital output from thermal dye transfer printers (often referred to as "dye sublimation" printers); medium- and high-resolution ink jet printers; silver halide-based dye-release-transfer; thermal wax transfer; prints made with dry-toner electrophotographic copier/printers; prints made with liquid-toner electrostatic printers; high-stability pigment-gelatin processes; and other types of digital output, including prints made with traditional chromogenic photographic papers. These processes form color images with either CMY (cyan, magenta, and yellow), or with CMYK (cyan, magenta, yellow, and black) dyes or pigments."
    Of interest, the Epson Stylus ink set (1995 ink set) tested in the Wilhelm report rated a "predicted display life" of 6 months. Anyone with a silver bullet solution to the ink-fade problem please share it with the rest of us.
     

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    Fade Testing.A short test

    7 September 1998: I conducted a simple test to determine how badly my printouts were fading when exposed to the sun. I began by printing some standard fill patterns with bright and vivid colours. Then I laminated one of the prints with Tenza book laminate (cold laminate) which works like a sticker for book covers (ie you just stick them on). I exposed both the laminated prinout and one other un-laminated printout to direct sunlight by affixing both printouts to one of the windows at my office facing outwards. This meant that both printouts were exposed to direct sunlight for long periods of time since this is Singapore after all! Temperatures outside get as high as 33 Celsius.
      Here are the results:-

      Commencement date:  15 June 1998  Paper TypePhoto Quality Inkjet Paper
      Date of Scanning: 6 September 1998

      The unprotected printout has faded quite badly. I would estimate that the colours are about 25-35% less vibrant than the printout kept in the dark although you probably would not be able to see it very clearly given the differences in displays and display settings. The laminated printout is holding up quite well for a low-cost solution. I noticed fading from 3 weeks onwards but did not scan the printouts to document the results. I will be conducting some other test but this time, I will include a printout which is hung on the wall in a frame not too far away from the window (ie representing normal use of printouts) and will be scanning the images on a weekly basis to see the results.

      One thing's certain, the lamination appears to be working to some extent. The printouts which were laminated had a 5-15% fade. More results in the weeks to come.
       
       

    That's 
     all for now

     

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     All rights reserved Kok Leong 1998@Singapore
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