One of the newest fine art
papers released of late, Concorde Rag from Dygraphics
has been winning compliments from those who have tried it. It's rated as
an archival paper and has been tested to last for 150 years with
Roland pigmented inks. More on its archival qualities can be read at Stock
Solutions' Concorde
Rag page (Stock solution also supplies this paper). I first
got wind of this paper from "CampfireDan" Culbertson who posted
to the Leben list on his success with Concorde Rag (read it here).
This is a short preliminary look at this paper which I managed to try with
Epson inks and MIS's Archival Inks.
Some basic links to the relevant
sites:-
Dygraphics-
you can get Concorde Rag from this site
1Color
of paper This paper
is very yellow. Sdmey4@aol.com best describes it as a "cream yellow warm
tint".
2Surface
and Texture Absolutely
matte with slight texture. The base color of this paper will surely
have an impact on the colors printed but because it is of a warm nature,
it sets off most printouts quite well (depending on what the image is actually).
I like it a lot! Previously I only had experience using Saunders watercolour
paper which has great warm texture that is almost 'canvass' like and prints
great too. Concorde Rag is more refined that the Saunders watercolour paper
that I used. Those looking to replace the Epson Photo Paper or any other
variety of the glossy papers out there need to look for something else
since this paper is very matte. This paper is correctly classified as a
fine art paper. The matte surface may not matter so much if you plan to
put the print behind glass or laminate it. For those who need some reference
to Epson media for comparison, I would say that Concorde Rag 'looks' the
most likethe EPson Photo quality Inkjet Card with the difference of having
surface color (the Epson Photo qualit inkjet card is very white)
and slight texture;
3No
trace of Pizza Wheel Tracks Being
a textured fine art paper, there are no pizza wheel tracks.. Generally
speaking, most matte type paper do not have the pizza wheel tracks.
4Water
resistance This
paper has fantastic water resistance. I let the printout with Epson inks
on Concorde Rag sit under running tap water and there was no observable
change to the printout except that it got really wet. In short, the colours
did not run at all. Then I rubbed the printout in water a bit and still
no running but depending on how hard you rub, some ink does scrap off.
After the print out had dried, I couldn't ell it was soaking wet at one
point ..no stains. MIS Archival inks on this paper also had this high degree
of water resistance.
Criteria
I used Jack Fouquette's (paper
review) criteria (with some amendments) for evaluating paper when
I looked at the printouts I had produced :-
COLOR.
The lack of measuring apparatus (eg colorimetre), prevents me from getting
really specific in my comments.
DETAIL
A look at how detail is rendered. Main culprit is bleeding.
GRAIN/BANDING
This criteria covers graininess, visibility of banding and other types
of 'noise' which can be seen from the printout.
BUILDUP
The presence or absence of unpleasant surface buildup in black/dense
areas, noticeable when tilting to get reflections from the surface
FINDINGS
PRINTING WITH
EPSON INKS ............................................................
.................... ....................
Color
Generally - Great! Very
impressive and compares very favourably to Epson's own Photo Quality Inkjet
card/paper. The base colour of this paper may not be suitable for some
applications as it invariably affects the way colour looks on this paper.
Saturation:- very saturated
and deep. I did a comparison test print with the Epson photo quality inkjet
card which gives great results but can be somewhat 'tame' in teerms of
vibrancy. The Concord Rag appeared to give color which is deeper (eg blacks
look a tad deeper, reds look redder etc). I need to do more testing to
be absolutely sure.
Settings I found that Glossy
Film Setting gave best detail but using this setting had two effects:-
1Color
differences Use of the Glossy Film setting resulted in
printouts which had a distinct colorshift. For lack of better phrasing,
I would say that the colors I got using Glossy Film setting were somewhat
"tamer" (even after I used Royce's tip for incresing color intensity) or
less warm as compared to the printout using Photo Paper setting.
The Photo Paper setting gave some bleeding but had a warmer and 'brighter'
overall look.
2Contrast
The
printout with Photo Paper setting had noticeably better contrast and looked
more cheerful (brighter?) I suspect because more of the warm base colour
of the Concorde Rag can be seen. It's not that using Glossy Film setting
gave bad results (on the contrary, the printout looked very good), but
it still looked less 'snappy' compared to the one done with Photo Paper
setting.
Black Blacks turn out very
deep.
............................................................
Detail
There is some bleeding is evident
especially with the Photo Quality Inkjet Paper Setting which lays
down more ink than say the Photo Paper option. With Photo Paper setting,
the bleeding is minimal and very acceptable. Glossy Film setting is the
best, absolutely no bleeding. Overall, I would say that detail is very
good. I printed using a 5x8 size and found the resulting image very
pleasing and sharp if not for the occasional bleeding in about 2-5% of
the print on Photo Paper setting.Have a look at the following scan of a
printout done with Glossy Film setting. The approximate width of
the scan below is 1.5 cm. The words GretagMacbeth can be seen.
<<<Concorde
Rag with Epson Inks using Glossy Film Settings>>>
There is no observable build-up.
Blacks print very deep.
............................................................
Grain/Banding
No banding or microbanding. Very
little observable grain as well. Dots probably bleed a little to blend
well with each other. This is to me one of the more important pluses of
using Concorde Rag.
............................................................
Now let's have a look at Concord
Rag with MIS Archival Inks:-
PRINTING WITH
MIS ARCHIVAL INKS ............................................................
.................... ....................
Color
Generally - Generally,
the printouts with MIS inks on this paper tended towards blue
B&W Grays also
turn out with obvious green cast as it did when I used EPson Photo Paper
(mentioned above).
Black Very deep blacks.
............................................................
Detail
Just have a look at the following:-
Clearly bleeding is a problem. I used Glossy Film settings to reduce the
amount of ink going into the Concorde Rag but bleeding is still evident.
Dan Culbertson has reported great results with the Concord Rag and MIS
archival inks used in his Stylus 3000 (4 colour printer) and he suggested
that perhaps the profile he used (which is a canned Stylus 3000 profile)
was a good match for the Concorde Rag.. The words on the printout can't
be made out at all except for "Kodak Color Control ".
<<<Concorde
Rag with MIS Archival inks>>>
There is no observable build-up.
Blacks print very deep.
............................................................
Grain/Banding
I observed some 'mottling' or
"sogginess" that with the printout. Looks like too much ink is laid
down on the paper. I tried using the Glossy FIlm setting but that only
remedied the effect a little.
Banding: -no observable
banding or microbanding.
In the scan below, you can see
abit of the 'mottling' especially in the darker areas:-
<<<Concorde
Rag with MIS Archival inks - b&w>>> ............................................................
Conclusions
To summarise, the good points about
the Concorde Rag with Epson Inks and MIS Archival inks are (on a
6 colour Photo EX).:-
Highs 1. No banding;
2. no pizza track wheels;
3. With Epson Inks:good
detail, almost on par with Epson photo quality inkjet card. I did not get
the results I would be happy with using the MIS inks and I am pretty sure
this is because of the settings I used. More on this later.;
4. deep and rich colors
Lows 1. bleeding
in some settings;
2. buff, cream
base color may not be suitable for certain applications.
I am putting in my own order for more
Concorde Rag for the larger sizes. I don't think Epson makes Photo QUality
Inkjet Card in sizes larger than Letter (? anyone know the answer to this?).
Dan emailed me with some advice on how to get better results "The
best thing to do (which I am almost certain will cure your problem)
is to create an RGB to RGB profile (with the Monaco system or any
other profile generator) and use that profile as your print space.
That seems to redistribute the inks to get the best color with the lowest
amount of total ink and it corrects for any problems you can get from printing
from a Photoshop RGB space (the Epson driver doesn't know what space you
are printing from and always assumes it is your monitor space --this sometimes
causes it to oversaturate prints). When you make a profile
from any one RGB space always print from that space to the profile space
and no others.". More on this later.
Just Wondering?
Would Concorde Rag used with Epson
inks be considered an archival quality printout?
You Gotta See this!
Check out Dan Culberson's fantastic
scans showing the differences between Somerset and Concorde Rag using MIS's
Quadtone inks:-